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But Bilinski does it very cleverly by expanding the action not physically but chronologically, which is an aspect not truly explored in any of the aforementioned titles. Telling a story using a fragmented storyline in such reduced and plain space can be extremely complicated. Hopefully those who have seen them will agree. Because of this and the intensity imposed upon the viewer, I can only describe Shade of Grey as a combination of the aforementioned films and Polanski's Death and The Maiden. Why? Most of Shade of Grey takes places in just one hotel room, which towards the end of the film becomes, in my opinion, one of the most menacing and claustrophobic locations ever put on film. I would even dare to say that it is even more emotionally exhausting than IƱarritu's 21 Grams. Like these films, Bilinski's is also a dark and sometimes twisted drama. I have only seen it succeed in rare cases like 21 Grams, Shorts Cuts, Magnolia and very few others. This is just a very clever and very risky technique. In order to strengthen this "dreamlike effect", Bilinski breaks the storyline into different scenes that are, only in appearance, disconnected from each other. I'll start saying that it can be a dream, or a nightmare, or maybe both, depending on who you are, your life experience and your own interpretation of the characters' lives.
#Trailer fifty shades of grey movie movie#
It is a movie that must be experienced in order to be fully understood. To be honest, it is hard for me to write about Shade of Grey. So what is Shade of Grey? Beyond the obvious, Shade of Grey is a rare and successful combination of experimental storytelling, high technical skills, passion and true dedication.